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The most effective way to fake celluloid-like luma in your video is to "crush" the darks and "pop" the brights in other words, increase the contrast. Since most video is shot to capture reality (or suggest that it has captured some form of reality), and to the audience "reality" on film is "The Look Of Celluloid" (yes, the film industry has trained audiences that film grain and perfect cinematography equals Reality), the colorist's goal is to fake a more filmic look and feel for their video. In other words, your audience is accustomed to seeing a medium with a color range almost as rich as real life, and are instead being presented with a digital reproduction. Furthermore, the progress from dark to bright is not constant and features less variation than celluiloid. Anything below this dark level or above the light level bottoms out quickly and actually causes distortion (which is precisely why your video camera has a "zebra stripes" function on it). Video represents a relatively small inset within the celluloid sensitivity spectrum, with its darkest value being early in the shadow levels of celluloid, and its potential white level being quite early in celluloid highlights. Think of it as a resolution for the scale from darkest black to brightest white first of all, celluloid can read darker shadows and brighter highlights, and second of all the gradiation between those two extremes is constant and even, so that even in the darkest shadows there is still great detail. The reason this is significant is because celluloid has a wide tolerance for luma (according to the "response sensitivity" of the film stock film).
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"Luma" is the term used for the levels of your picture's brightness values if you were to desaturate your picture so that it was black-and-white only, then you'd be looking, essentially, at the pure luma values of your image. For that reason, a good colorist first targets the human in the shot. Or at least, their eyes mostly care about the humans. The human eye naturally gravitates to other humans, so unless you're making a documentary about animals or plants, your audience mostly cares about the humans in your movie. Within the same scene, of course, that tends to not be the case.
#BEST COLOR CORRECTION PRESET SKIN#
When the camera cuts to a different scene, both you as the colorist and the audience understand that the colors should be different we're in a different location now, so of course the colors of our hero's skin tone can be drastically different and we'll understand why. Your eye treats color very subjectively a shade of blue that looks "too bright" one moment starts to fall into place after the eye has stared at it long enough, so you want to emmerse yourself in one scene, and adjust the colors only within that scene so that your eye accepts the colors and character of that scene as normal. Without exception, color correct your work scene by scene. The workflow of post production itself will be discussed in further detail in the final article of this series. So you'll wait until picture lock to start color correction frequently it's done at roughly the same time as the sound mix is being done. Second, adding color effects to all of your footage is burdensome on your computer and logistically difficult for you to keep track of during intensive editing. First, you don't want to spend hours color correction footage only to find that later in the edit, the scene is cut entirely from the movie. Let's look at the typical workflow of color correction, and then the tools.Ĭolor correction comes into play fairly late in the post production process for two reasons.
#BEST COLOR CORRECTION PRESET PROFESSIONAL#
Kdenlive's color correction suite easily rivals any professional video editing application and in many ways surpasses the basic tools often found in the expensive industry application. Read the other parts in this series: Part 1: Introduction to Kdenlive Careful attention to lens settings, depth-of-field charts, and lighting will produce quality images but even those, since the days of the earliest photography, have been taken into the darkroom and adjusted. Running Kubernetes on your Raspberry Pi.A practical guide to home automation using open source tools.6 open source tools for staying organized.An introduction to programming with Bash.A guide to building a video game with Python.